Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

　　

　　A multi-generational saga set in Alberta, Canada and centered on a family getting through life together in both happy and trying times.

　　《汪汪队立大功》第六季中，狗狗们变成了最棒的超级英雄：威力狗。没有危险能阻挡狗狗们的超能力。在第19集中，莱德突然发现威力爪子相对碰，狗狗们将会更厉害！by:donghuaxia.com

　　10月2日星期五，美国东部/太平洋时间晚8点，将在卡通频道进行《星球大战：克隆人战争——赏金猎人的崛起》的首播，连续播出《Holocron Heist》和《Cargo of Doom》，在这不容错过的两集中，由冷酷无情的凯德·贝恩率领，赏金猎人和残忍的雇佣军抢尽了这部系列剧的风头。这是次特殊的，一小时长度的《克隆人战争》大事件！（译注：含广告时间）　　贝恩在第一季震撼性的结尾初登场，此次复出将造成更大的破坏和伤亡——他带来自己精锐的武器装备，要在共和国的心脏施加压力。他受雇要潜入绝地圣殿，盗取一台珍贵的全息记录仪——一种古老的记忆存储设备——贝恩不会让任何人挡了自己的道。当阿索卡被分配去绝地档案馆当守卫，作为对她不听从命令的惩罚时，这个表面看来无聊的职责将她直接置于贝恩通向目标的道路上。　　“如果你看了上一季的最后一集，你就会知道，凯德是不会在乎入虎穴一游的。他勇敢而毫无畏惧，而这的确给绝地带来了极大的麻烦。”《星球大战：克隆人战争》的总监戴夫·菲洛尼说，“这几集的确让人回忆起《星球大战》的冒险精神，而这正是我所一直热爱的部分。外面正进行着一场大战，而冲突的焦点却要个人和私人得多。当你把某个象凯德这样的人扔进这场混乱里，赌注就上升了。这令剧情更加紧张，也更富娱乐性。”　　贝恩这个角色允许《克隆人战争》的全体职员重温他们所热爱的原版电影，可以回溯到乔治·卢卡斯的原版《星战》的贝恩的概念来源，让这些成为可能。　　“[凯德·贝恩]这个概念确实可以一直回溯到第一部电影，它从各种类型电影中汲取了许多灵感，包括西部片。”《星球大战：克隆人战争》的创造者兼监制卢卡斯说，“当需要为这个系列引入一个残忍的赏金猎人形象的角色时，他很自然地就契合上了。他是个一流枪手——他神秘，又无情。从一开始它就是《星战》的一个主题部分。”　　无情的赏金猎人凯德·贝恩在《Holocron Heist》中，沉思着自己的下一步恶毒行动，这是《星球大战：克隆人战争》的全新一集，将于10月2日星期五东部/太平洋时间晚8点在卡通频道首播。　　追随由原三部曲确立起来的经典《星战》轨迹，《星球大战：克隆人战争》第二季将深化冲突本身的故事，探索前所未见的战争面貌。就像《帝国反击战》能让《新希望》确立的经典原型在深度和复杂性上得到强化那样，《赏金猎人的崛起》层层剥笋，揭示出在该系列剧第一季里只是一带而过的复杂性与强度。凯德·贝恩和他的赏金猎人骨干将要让行动升级……，而卢卡斯影业动画制片公司的艺术家们很乐意鼎力相助！

　　弗兰克·拉札雷夫（吉约姆·卡内 Guillaume Canet 饰）差点遭人谋杀，捡回一命后，开始搜寻被神秘武装组织绑架的妻子里欧。他曾是法国国家宪兵特勤队的一员，如今往事再度找上门来，他也卷入事关国家高层的风暴，情势完全超乎掌控。

　　影片讲述了面临毕业的大学生，在亲情、爱情、友情、事业上遇到挫折后，表现的坚持、不放弃的坚守精神，他们蓬勃乐观、积极向上，就像独自在黑夜中的夜来香，永远喜欢温暖、在阳光充足的地方盛开，而只在夜间才花香怒放的它们同样诠释着：暗战在最黑暗的地方，依旧让人瞩目的魅力。

　　1858年，美国南北战争前两年。德国赏金猎人金·舒尔茨（克里斯托弗·瓦尔兹 Christoph Waltz饰）从贩奴商人手中买下黑奴姜戈（杰米·福克斯 Jamie Foxx饰），让其重获自由。舒尔茨实则是要把姜戈培养成无法无天的赏金猎人，为其缉拿各种通缉犯以换取报酬。姜 戈的唯一条件是：从暴虐的糖果庄园主卡尔文·坎迪（莱昂纳多·迪卡普里奥 Leonardo DiCaprio饰）手中解救出自己的妻子布鲁姆希尔达（凯丽·华盛顿 Kerry Washington饰）。本片是昆汀向1966年由塞吉奥·考布西执导的经典意大利西部片《迪亚戈》的致敬之作。　　鬼才导演痞子昆丁三年磨一剑，继《无耻混蛋》后又一巨制力作。本片延续昆汀一贯低调奢华的风格，处处可见奇思妙想的幽默元素和血腥野性的动作场面，更有强档群戏，豪华卡司，可谓看点十足。　　《被解放的姜戈》荣获第85届奥斯卡金像奖-最佳原创剧本大奖，克里斯托弗·沃尔兹 Christoph Waltz则凭借此片荣获最佳男配角。本片同时荣获第85届奥斯卡金像奖最佳影片、最佳摄影和最佳音效剪辑提名。