女记者（叶德娴 饰）受托跟踪采访一个忠实于精神病患者救助事业的社会工作者（冯淬帆 饰），二十多年来他一直与街头流浪汉打交道，旨在引导他们走向康复，但他的行为得不到人们的响应。女记者亲眼目睹了他对垃圾佬（周润发 饰）、终日游荡在菜市场的癫仔（梁朝伟 饰）与康复的患者（秦沛 饰）的关怀 与他们辛酸的故事。康复患者其实有间歇性发作精神病，受到生活中重重压迫后，想念儿子的他持刀闯入幼儿园酿成血案......

　　本片是周润发早期英雄片的代表作之一。一夜，一名警官在搜查红灯区时，却意外遭枪击身亡，警局高层意识到了这里潜藏着一班不寻常的匪徒。刘帮办联系上了警局一直部署在江湖的卧底，也是他的外甥――高秋(周润发 饰)，要他尽快打入这帮匪徒的内部，获知他们的犯罪计划。　　高秋化身作枪械贩子，和匪首南哥与他的手下阿虎（李修贤 饰）取得了联系。刘帮办恐自己的外甥出意外，派人暗中跟踪。不料歪打正着反而因为警方的派人跟踪令高秋顺利取得了匪帮的信任，南哥正式拉高秋一起加入他们的抢劫金铺的计划。在与阿虎的点滴接触中，高秋发现自己与他逐渐建立了兄弟情谊。一边是兄弟情谊，一边是社会公义，高秋将如何取舍?

　　故事发生在东北乡下的一个普通村落——兴隆屯。 　　兴隆屯的陈满金家是一个比较典型的四世同堂的中国农民家庭，与众不同的是，在这个家里有着陈六爷、陈满金、陈大龙等三代共产党员，通过他们的所想所思、所作所为，演出了一幕幕感人肺腑、发人深思的故事。 　　随着农村经济改革的进一步深入，中国一部分农民逐渐走上了富裕的道路，农民的思想观念也在悄悄地发生着变化。在兴隆屯村主任的换届选举中，共产党员、老村主任陈满金仅以一票之差落选了。令他不平衡的是——被选上的新村主任竟然是他的儿子——年轻的共产党员陈大龙；而更出乎他意料的是——那使他落选的关键一票，居然是自己的父亲——老党员陈六爷将选票投给了孙子。于是，在亲情、党性、原则伴随着如何带领村民走共同富裕道路的矛盾纠葛中拉开了全剧的序幕。 　　陈满金“下野”后，仍然想着为村里做点事。“我这个村主任虽然下野了，可我还是个党员呀，只要对老百姓有利的事儿，我就做。” 　　陈大龙接任村主任后，带领村民进一步加大改革力度，大胆地引进新项目，开发新产品，使兴隆屯在致富的道路上又迈上了一个新台阶。 　　陈六爷是一个典型的老党员形象，他朴实、善良，事事讲求原则，时时想着为儿子和孙子把关定向。于是，这三代党员围绕着便民利民、村务公开、法制教育、打假禁赌、建设精神文明、扶贫献爱心、引进科技兴农机制、开发利用高科技产品等方面展开了一系列的工作。 　　但是，由于思想上、观念上的差异，父子之间、夫妻之间以及陈家与村民之间都或多或少地产生了一些矛盾和碰撞。最后，所有的事情都在三代人统一了思想后得到了圆满的解决。

　　故事发生在绿山墙农庄之中，马修和玛丽拉是一对相依为命的兄妹，同时也是农场的主人。随着年岁的增长，每日繁重的农活渐渐令两人力不从心，于是他们决定从孤儿院领养一个男孩来作为他们的继承人。　　然而，孤儿院却在阴差阳错之下将一个名为安妮（小山茉美 配音）的女孩送到了农场，这个女孩有着满脸的雀斑和一头耀眼的红发，非常的夺人眼球。马修是一个沉默寡言的男人，当性格开朗活泼的小安妮走进他的生活后，他渐渐的被快乐所感染。虽然马修很少和安妮讲话，但是他的关心和爱护如同春雨一般润物细无声，默默守护着安妮的成长。

　　活在自我世界中的乔西，遨游在自己感兴趣的绘画和书籍的海洋中。自幼便一直坐在轮椅上的她，某天在一个危险的斜坡上差点摔倒的时候，得到了大学生恒夫的帮助。专攻海洋生物学的恒夫，为了实现自己能够亲眼看一下只生活在墨西哥的梦幻鱼群的梦想，日夜不停地在进行着兼职打工。　　和乔西相依为命的祖母千津看到这样的恒夫，向他介绍了一份兼职工作。这份工作的内容就是听从乔西的要求，并想办法满足她。然而，固执且不善与他人交流的乔西对恒夫非常刻薄，而恒夫也没有在意乔西是个残疾人，直率地回应她。　　就这样逐渐地，双方的距离缩短，开始了解对方。在两人接触的过程中，乔西也下定决心，要与恒夫一起去看看自己梦寐以求的外面世界……　　影片改编自田边圣子小说《Jose与虎与鱼们》。

　　In the summer of ’76, as President Jimmy Carter pledges to give government back to the people, tensions run high in a working-class Philadelphia neighborhood where the Black Panthers once flourished. When Marcus returns—having bolted years earlier—his homecoming isn’t exactly met with fanfare. His former movement brothers blame him for an unspeakable betrayal. Only his best friend’s widow, Patricia, appreciates Marcus’s predicament, which both unites and paralyzes them. As Patricia’s daughter compels the two comrades to confront their past, history repeats itself in dangerous ways.　　Night Catches Us masterfully reckons with the complexity of its characters’ revolutionary ideologies and internal desires. Bell-bottoms, Afros, potlucks, and Caddies set the scene as the film potently interweaves political media with an evocative soul-inspired score, summoning a vivid sense of place and time. The golden light that bathes characters’ faces seems to express the promise—and elusiveness—of the necessary change Marcus and Patricia struggle for so dearly—each by separate means.

比尔（布鲁斯·威利斯 Bruce Willis 饰）是一名心理医生，这个特殊的职业让他接触过许多精神抑郁生活压抑的病人，他们的压力在无形之中也转嫁到了比尔的身上，终于，当病人蜜雪儿（Kathleen Wilhoite 饰）在比尔眼前坠楼身亡后，比尔意识到，休息的时间到了。　　沮丧的比尔决定去找老友鲍勃（斯科特·巴库拉 Scott Bakula 饰）叙叙旧，不幸的是，在两人见面后没多久，鲍勃便被某个凶徒残忍的谋杀了，丝状可怖。为了查明老友死亡的真相，比尔展开了缜密的调查，在此过程中，一个名叫罗丝（珍·玛奇 Jane March 饰）的神秘女子浮出了水面，然而比尔不知道的是，当他逐步接近真相的同时，危险也在接近着他。…

　　Based on the H. P. Lovecraft story of the same name, a folklorist investigates reports of unusual creatures in Vermont only to uncover more than he bargained for

　　《恶魔之夜》是曾在英国被禁眏的一系列臭名昭著的影片之一，它最终在1994年因删减了1分41秒的内容而被解禁。它因为含有描写阉割、肢解、刺伤和掏内脏的内容而闻名。它讲述了纽根特教授为了试图找到传说中的“大脚怪”，和他的学生们进行了探险，结果却是把自己和学生拉入危险的禁地， 最后只有纽根特教授一人存活（但是纽根特教授的半张脸被一个热炉子产生的火严重烧伤），纽根特教授现在必须将他的经历以及“大脚怪”的秘密告诉众人，但谁又会相信他呢？　　文/灵魂在线

当他们的母亲出差起飞时，两个争吵的兄弟团结起来，在她回来之前秘密参加了今年最热门的派对

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　少年奥斯卡结束面试后独自乘坐一趟隔夜列车回家，长夜漫漫里，他注意到他的斜对面坐着一位轮廓深邃的中东帅哥，从他试探的眼神里，奥斯卡第一次见到了同他一样燃烧着的欲火...