月光光心慌慌:终结搜索结果

奈雪影院

月光光心慌慌:终结
美国英语2022
  “这是洛莉·史特罗德的最后一搏。”  45年后,影史最受好评与最受尊崇恐怖片电影系列,即将迎来史诗般的惊惧结局,洛莉史特罗德将与恶灵化身麦克·迈尔斯,展开一场最终的生死搏斗,这将会是一场史无前例的终极大战,他们只有一个人能够存活。  《月光光新慌慌:万圣杀》一片中发生恐怖事件的四年后,洛莉(杰米·李·柯蒂斯 饰)和她的外孙女爱丽森(安迪·马蒂切克 饰)住在一起,并且正在完成她的回忆录。杀人魔麦克迈尔斯自从上次大开杀戒之后就消失无踪,而洛莉这几十年来一直活在麦克·迈尔斯的恐怖阴影下,她受到的心理创伤以及报复心态也左右了她的人生,但是她决定放下长久以来的恐惧和愤怒,终于学会拥抱人生、享受生活。但是当一名年轻男子柯瑞·康宁汉(罗汉·坎贝尔 饰)遭到指控杀害他当保姆的一名男童时,就引发了一连串的暴力和恐怖事件,迫使洛莉和她无法掌控的邪恶力量展开一场终极大战,试图永远消灭麦克·迈尔斯这个恶灵。

奈雪影院

极度恐慌1983
西班牙其它1983
  PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, 

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