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奈雪影院

福尔摩斯新探案
美国英语1991
  福尔摩斯曾经说过:“给我难题,给我工作,给我最深奥的密码,给我最复杂的分析工作,这样我才觉得最舒适,才不需要人为的刺激。我非常憎恶平淡的生活,我追求精神上的兴奋,因此我选择了我自己的特殊职业——也可以说是我创造了这个职业,因为我是世界上惟一从事这种职业的人。”  如 果你也憎恶平淡的生活、追求精神上的兴奋,那么,相信你一定是喜欢看《福尔摩斯》。因为看侦探小说和当侦探具有同样的乐趣,那就是:凶手是谁?你要和福尔摩斯先生一起去勘察现场、调查证人、寻找线索、鉴定物证;要和福尔摩斯先生一起去推理、假设、排除、肯定、否定、否定之否定……然后你能够和福尔摩斯先生同时指出真凶的身份——没错,一定是他!  这也是侦探剧的魅力。杰锐莱·布莱特——这位“福迷”心中的真神,在长达十余年间,共出演了41部Granada的福尔摩斯剧集(注:十年才拍40集,精品就是这样炼成的!),期间仅由于身体原因稍有中断,表演风格亦臻化境,他举止优雅、声容并茂,每个细节都折射着理性的华美与智慧的光芒,所表现出的不仅仅是福尔摩斯外表上的冷和傲,更多的是透过他那双迷人的、略带忧郁的绿色眼睛表现出的福尔摩斯冰冷外表下的对人类的爱与同情。  该剧在案情拆解方面令人叫绝,不到最后一刻,你都无法下断言,然而最终当疑雾被福尔摩斯精妙的推理层层破解的时候,悬疑在观众内心深处便全然转化为快感!  剧集包括:  Season 1, Episode 1: The Disappearance of Lady Frances Carfax《弗朗西斯·卡法克斯女士的失踪》21 February 1991  Season 1, Episode 2: The Problem of Thor Bridge《雷神桥之迷》28 February 1991  Season 1, Episode 3: Shoscombe Old Place《肖斯科姆别墅》7 March 1991  Season 1, Episode 4: The Boscombe Valley Mystery《博斯科比溪谷秘案》14 March 1991  Season 1, Episode 5: The Illustrious Client《显贵的主顾》21 March 1991  Season 1, Episode 6: The Creeping Man《爬行人》28 March 1991  Season 2, Episode 1-2: The Master Blackmailer《讹诈专家》2 January 1992  Season 2, Episode 3-4: The Last Vampyre《最后的吸血鬼》27 January 1993  Season 2, Episode 5-6: The Eligible Bachelor《单身贵族》3 February 1993

奈雪影院

工人,农民
法国其它2001
  "Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide  "The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport  both in their professional and daily lives  between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.  The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson  "my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum

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