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奈雪影院

造物的奇迹
其它其它1925
  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

奈雪影院

妖夜凶灵
美国英语2001
  肖恩(克尔-史密斯饰)一路从洛杉矶开车前往佛罗里达,去参加他姐姐的婚礼,顺便捎去一些Mercedes葡萄酒。他压根就没想到会碰上一位搭车者。从那时起,他的这次跨州旅行便成了一场闻末所闻、充满血腥味的恶梦。  肖恩的这个新同伴尼克(布伦丹-费尔饰),看上去并不象是一个百无聊赖、漫无目的的旅行者。他是一个“猎手”,一个四处游荡又无家可归的年轻人,他的猎物还是"血淋淋的"。在深夜无人的高速公路上,一群人凶残地吸食那些不幸的受害者。一句话,他们是吸血鬼。肖恩根本就没想到尼克正害着这种"吸血病",几个月以来尼克一直在跟踪着各色各样的人。肖恩与他的这位怪异的“副驾驶”上路以来,整个晚上他都莫名其妙地停了一会又一会。看来,他将永远也参加不了他姐姐的婚礼了。  当肖恩和尼克搭载上了迷茫而惊魂未定的梅甘(伊莎贝拉-迈科饰)时,追杀的杀手们以为她死了就放过了她。梅甘不仅是个受害者,她还是一个人类的诱饵。肖恩不断被她的脆弱和美丽所吸引。当肖恩自己也被染上这种致命的病菌时,他的胜算更小了。尼克继续回避肖恩的问题,但最后,经过一场激烈的争论,他被迫向肖恩坦白了一切----能治愈他们"疾病"的唯一办法就是杀死吸血鬼的主体----那个吸血鬼团伙的邪恶头领基特(乔纳森-谢尔彻饰)。这是一场惊险的死亡与时间的赛跑,如果他们失败的话,他们将与敌手遭遇到同样的命运----永远成为那伙贪得无厌的不死鬼中的一员。  今天就可能是他们今生的最后一天了。  本片主要演员基本上来自去年很卖座的校园恐怖片《死亡终点(Final Destination)》。

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