与卡戴珊一家同行第十六季搜索结果

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荣耀六十年
英国英语1938
  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor

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兄弟姐妹第四季
美国英语2009
  《兄弟姐妹》是一部由制片人Ken Olin和Jon Robin Baitz导演的电视剧。住在洛杉矶的沃克一家是一个传统的美国家庭,成年的兄弟姐妹们包括莎拉·威顿,汤米·沃克,凯文·沃克,贾斯汀·沃克和凯蒂·沃克。他们都很努力的去实现父母期望。剧中同时也涉及其他许多人的生活,比如诺拉的哥哥索尔·霍顿,汤米的妻子朱莉娅·沃克,凯文的亲密伴侣斯科特还有神秘的赫莉·海派尔及其女儿瑞贝卡·海派尔。一大家子的人每天都努力的生活。  Brothers and Sisters 的取材角度正是当今美国人生活中最困惑的地方--总是面临各种压力、各种两难选择,总是想不断超越自我。Sarah(Rachel Griffiths),一个事业成功的社团副总裁,为了事业和婚姻两不误,选择回到家族来打理生意;Tommy(Balthazar Getty),对家族忠心耿耿,但是却喜欢整天偎翠依红,泡在温柔乡里;Kevin (Matthew Rhys),律师,一个同性恋,对爱情总是小心谨慎;Justin (Dave Annable),兄弟姐妹中的小弟弟,痛苦地与战争所带来的创伤和毒品做斗争;还有Kitty (Calista Flockhart),右翼电台的主持人,电视评论家,总是父亲眼中的小姑娘。通过这些有趣的角色,本剧想要揭示究竟一个21世纪的美国家庭究竟什么最重要,家中的这些兄弟姐妹在平衡各自利益的前提下,又该如何处理好与父母的观念隔阂?  家族中的长辈是父亲William Walker(Tom Skerritt )和母亲Nora Holden(Sally Field)。父亲作为一家之长,一生颇具传奇色彩,他也是家族生意的总裁。母亲则是个固执己见的女人。其他角色包括:Saul Holden(Ron Rifkin)是Nora Holden的兄弟,一个花花公子;Joe(John Pyper-Ferguson)是大女儿Sarah的丈夫;Julia(Sarah Jane Morris)是Tommy的妻子;还有一个神秘女人(Patricia Wettig)试图整跨Walkers家族的生意。

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