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奈雪影院

不安分的年轻人们
法国法语1958
  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

奈雪影院

火红年代
大陆国语2005
  1949年,以梦珊(戴皎倩 饰)、曲秀(田玲 饰)、常缨(王彤 饰)为代表的女兵们怀着满腔热血奔赴边疆,在那里认识了一群独立营的战士,共同携手投入热火朝天的大生产运动。  能歌善舞的梦珊把爱情看得非常浪漫,高雅、清纯的她对众多的追求者都不屑一顾,唯独钟情于独立营的营长郑汉(罗钢饰),以此同时,她的好姐妹曲秀也和她一样同时爱上了高大英勇的郑汉,但是郑汉却对她们没有感觉,迫于那个年代的羞涩含蓄,孤傲的梦珊无奈地退出了这场感情纠葛,却因一次演出任务中冲进火海抢救平民的南政委而感动,为此她甘心一辈子去守候着这位左腿瘫痪的首长,但内心深处仍然固守着对郑营长的纯纯的爱;曲秀便恳求和她同道而来的姐妹常缨牵针引线,不想弄巧成拙,常缨和郑营长在长期的正面接触中渐渐真挚的相爱了,他们共同抚养着战争遗孤。一次意外让郑汉不能性事,给他们两人留下了永远的遗憾。真诚果敢的曲秀万念俱灰,无奈地嫁给了热烈追求她的战斗英雄胡子连长,怀孕后得知自己有心脏病,却执着地要为这块土地生下第一个孩子,她不幸难产而带着遗憾离开人世…热情直爽的刘淑爱,为了扎根石河滩主动跟胡子连长再次成家立业,逐渐抚平了他的丧妻之痛。  若乾年以后,这些远嫁天山的建设兵团女战士共同燃烧了一个新时代的梦想和希望。

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