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奈雪影院

难兄难弟
韩国韩语2010
  影片的原名本是《亚洲兄弟》,讲述了一群海内外的朋友汇集到一起,完成从失意者到成功者的变身神话。然而,在反复修改剧本的过程中,大家都觉得这个名字不够抢眼,不足以反映影片那种积极向上并开心幽默的基调。于是,片名被改为《방가방가방가》。在韩语中,“방가방가”原是网络流行语,表示相互寒暄的见面语,相当于“很高兴见到你”。尽管《방가방가방가》尽显开心之意,但读起来颇为绕口,经过试映听取观众意见,最后影片省去一个“방가”,变成轻松上口的《방가방가》。除了借用网络流行语外,片名还暗含了主人公“方泰植”的姓氏,因为韩语中“방”正是“方”的对应字。  影片筹划初期,寻找合适的演员也成为一个挠头的问题——一下子哪里去找那么多会演戏的外国友人?就在这时,剧组人员偶然看到报纸上关于KBS电视台举办的唱歌比赛揭晓的新闻,获奖人正是一位外国友人,亦是韩国首位获此殊荣的外国人。剧组马上联络对方,邀请其参加演出。此外还有几位外国演员,他们分别参加过《赤脚梦想》、《梨泰院杀人事件》、《无法者》等片的拍摄任务,有一定的表演经验。  影片不仅是一部反映小人物奋斗史的开心之作,亦是一次不同地域文化的交汇、交流。  ·影片主要场景是主人公就职的“巨星产业”,为此来到了真实的工厂取景,不少真实的员工都在片中出境。  ·有一场重头戏反映男女主人公摩托车约会的情节。本来剧组人员设计了一个浪漫的场景,谁知突然天降暴雪,瞬间天地一片素白。大家索性将这场情感戏的背景将计就计换成漫天飞雪,竟产生了意想不到的唯美感觉。  ·由于参加演出的演员来自五湖四海,因宗教、过度的不同,衍生出多种饮食习惯,剧组不得不在准备膳食方面考虑到这一点。因此,两位穆斯林演员享受到了特别待遇,当大家在吃烤肉(五花肉)时,他们吃的却是价格昂贵的牛肉。

奈雪影院

山姆·克莱默克的时间机器
其它英语2015
  Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.  ‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.  Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.  Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.

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